
These 2 original drawings by and of Native Americans have custom frames that match the artwork. Our client wanted these beauties mounted archivally, so we used 100% rag mats, acid-free backing, and conservation clear glas with the original frames.

These 2 original drawings by and of Native Americans have custom frames that match the artwork. Our client wanted these beauties mounted archivally, so we used 100% rag mats, acid-free backing, and conservation clear glas with the original frames.

A black & white photo framed with 8-ply Antique White Mat and conservation clear glass (98% UV block).

Here’s a double mat on a signed print of a graphite drawing. Materials: conservation clear glass, ph Neutral mat, barnwood moulding with silver accent.
We framed this vintage yet pristine Jetsons puzzle for our friends Rob and Ralph at Blackstone Hotsprings.
It is now installed in its permanent home – The Jetsons Suite – at Blackstone. (All their rooms have TV show themes!)
This triple-decker Valentine dates back to 1913, and is mounted on a doily that was tatted years later by the recipient of the card. Two generations later, the customer provided photos of her grandparents and dried rose petals; conservation clear glass was a must when it came to glazing this fragile and precious heirloom.
A customer picked up this piece by British Printmaker Hedley Fitton (1859-1929) at auction. You can’t see it from this view, but the moulding is deep, which allows for some extra space (front-to-back) between the two mats (dark gray on bottom and off-white floating above it).
A pair of local collectors wanted to put their Delmas Howe flower painting in an extra-fabulous frame.
They chose a 2″ natural-colored linen liner and a 4″ leafy moulding. Nice!